The flight of the shrike. The ornithological representation in the Baptism of Christ (1470-1475 c.) by Andrea del Verrocchio and Leonardo da Vinci
https://doi.org/10.4081/nhs.2021.538
Submitted: 26 April 2021
Accepted: 8 September 2021
Published: 28 October 2021
Accepted: 8 September 2021
Abstract Views: 2454
PDF: 394
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All claims expressed in this article are solely those of the authors and do not necessarily represent those of their affiliated organizations, or those of the publisher, the editors and the reviewers. Any product that may be evaluated in this article or claim that may be made by its manufacturer is not guaranteed or endorsed by the publisher.
The artists of the Italian Renaissance were keen observers of nature. Their works are often enriched with realistic details that inform us about the high degree of their scientific knowledge. In the particular case of the Baptism of Christ (1470-1475 c.) by Andrea del Verrocchio and Leonardo da Vinci, the careful depiction of certain bird species, including a red-backed shrike and a redstart, reveals precise meanings closely related to Christological symbolism.
Masseti, M. . (2021). The flight of the shrike. The ornithological representation in the <em>Baptism of Christ</em> (1470-1475 c.) by Andrea del Verrocchio and Leonardo da Vinci . Natural History Sciences, 8(2), 59–64. https://doi.org/10.4081/nhs.2021.538
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